SO MINT! SHYIAO SUN

HDK-Valand

SO MINT! is a series on fresh graduates in fashion, jewellery and design from around the world. Handpicked by Current Obsession.

Shiyao Sun is a visual artist with a background in jewelry art. She completed her Master’s degree at HDK-Valand, where her project explored the intimate physical interactions between ornament and body. Driven by curiosity and a desire to challenge the boundaries of material and form, her practice centers on material experimentation, enabling her to move fluidly between formats such as jewelry, objects, images, sculpture, the body, and video.

 

Shiyao sees her artistic journey as one of challenge, exploration, and play—aimed at reframing our understanding of materials and fostering dialogue between jewelry, craft, and contemporary art. She uses art as a channel to delve into the norms of contemporary life and spark meaningful conversations. Her work invites viewers to think, feel, and engage in new and unexpected ways.

Current Obsession: What story or idea does your graduation work explore, and why was it important for you to tell it now?

Shiyao Sun: My project shifts the focus from the jewellery to the body that bears and carries it, exploring the physical relationship between ornament and wearer in everyday scenarios. The body, long a silent background for jewellery, often fades beneath the shine of adornment. Yet it bears subtle marks, imprints, and changes caused by wearing. By closely examining specific body parts and using canvas to represent skin, my work aims to capture these traces, translating bodily interactions into visual and tactile forms through an abstract artistic language. For this selected collection of my topic, my works depicting: the way a ring squeezes the finger, leaving a pale indentation and slight redness; a body piercing puncturing through flesh; green stains left on the skin by fake gold or copper jewelry; three stages of ear piercing and the moment a needle almost pierces through the body. This project invite a closer look at how adornment shapes the body through touch, pressure, and time, encouraging a more embodied understanding where the body is no longer a backdrop but a living, breathing protagonist.

 

I’ve always believed that the overlooked and taken-for-granted can reveal the most. While my previous works often touched on the body, it was never the central focus, especially the tiny, subtle interactions that occur in everyday life, always overshadowed by jewellery. The body present differently in the discourse of jewellery, usually as a beautiful feature, but I’m drawn to the body in mundane settings: the one sitting next to us on the bus, the one passing by on the street, the one queuing in front and after us – the bodies we see every day but rarely truly notice. With this project, I’ve had the time and space to fully commit to these overlooked body spots, allowing them to guide my research and practice. This shift has opened up a fresh field of inquiry, one rich with potential for new perspectives and meaningful discussion.

‘The body, long a silent background for jewelry, often fades beneath the shine of adornment. Yet it bears subtle marks, imprints, and changes caused by wearing. My work captures these traces, translating bodily interactions into visual and tactile forms’

CO: Who or what has shaped your practice in unexpected ways?

SS: During this two-year research, the works of many artists have inspired my study—such as Gijs Bakker’s Shadow Jewellery, Tiffany Parbs’s Blister-Ring, Selina Woulfe’s Experiential Jewellery: Links Between the Physical and Psychological, and Gisbert Stach’s Tree Necklace. Each of these works explores the relationship between the body and jewellery from different and innovative perspectives.

 

However, since my project is anchored in everyday phenomena, I conducted a participatory study-To Wear or Not To Wear- to explore the daily interactions, which became my own database and led the project to a breakthrough. In this study, I invited people around me to shift their relationship with jewellery over a period of 21 days: jewelry wearers were asked to stop wearing jewellery, while non-wearers were asked to wear one piece. This reversal aimed to stimulate the subtle and temporary physical interactions.

 

Participants were asked to document their feelings in a diary. At the end of the process, I created one image for each case, featuring the participant’s involved body part alongside a handwritten quote from their diary. This project is not part of the final artwork, but it has been essential in shaping my approach, which shifting my focus from the surface of the body to its intimate, sensory experiences, and into the realm of haptic visualities.

CO: Does your work reflect or respond to a cultural context or issue that’s personal to you?

SS: I come from a culture where judging people based on their appearance is considered rude and uneducated. We also believe that the physical body is a gift that should be protected and left untouched. As a result, wearing jewellery is not as significant as it is in many other cultures. Personally, I am not a jewellery wearer. I began wearing jewelry only after choosing jewelry art as my major ten years ago, but gradually stopped because I found it increasingly bothersome, both psychologically and physically.

 

Later, while reflecting on my project, I realized that my position as a jewellery artist from a background where jewelry is not commonly worn, but now studying and working in a context where wearing jewellery is a common and important social behavior has unconsciously inspired my interest in this topic. This contrast has given me a unique and valuable perspective within this discourse.

Instagram @sun_shiyao

 

 

All images courtesy of the artist.

Our annual series SO MINT! is back, shining a spotlight on the rising talents of fresh graduates in fashion, jewellery, and design from around the world.

 

Are you a recent graduate with remarkable work to share? Submit your portfolio via this link!

 

Submissions are open until the end of August 2025.

 

If you have any questions, please don’t hesitate to contact us via veronika@current-obsession.com.